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A Different Drummer: Two Sides of Janis Görlich
ByOne of the most prominent artists on the label is German drummer Janis Görlich. Görlich has released two albums that both show his versatility as a composer and player and his ability to shape atmospheric soundscapes and melodies.
Janis Görlich's Bummelzug Explosion
In der Ferne
Shoebill Music
2013
Janis Görlich's Bummelzug Explosion is the name of a project led by drummer and composer Janis Görlich. The word "bummelzug" refers to a slow train that stops at every station and it fits a band that plays slow music with plenty of details. Simply put, the album In der Ferne is a soundtrack for a movie that does not exist. It starts out with "Mangel An Licht" that emulates the sound of a train passing through a landscape. It builds up to a slow-rocking composition with spiky guitar and intertwining saxophones before moving on into a dreamy haze with the train disappearing in the horizon.
The album is in part inspired by the British army lieutenant Thomas Edward Lawrence, who is mostly known as "Lawrence of Arabia." He gets an homage on "Lawrence" with Arabic tonality, dusty electric piano, slow marching drums and a saxophone motif.
Each composition on the album is a complex soundscape that would make Ennio Morricone proud, but fortunately Görlich also knows how to make memorable melodies and he has enlisted a great team of players, including guitarist Henrik Thor Oscar Olsson, who is the man behind the excellent Penumbra ensemble. In der Ferne is an album of sophisticated easy listening and an imaginative journey worth taking.
Janis Görlich's Kleiner Dicker Mönch
Bei Nacht
Shoebill Music
2014
The trio Kleiner Dicker Mönch is presented as the smaller and darker brother of Bummelzug Explosion and in many ways this makes sense. It is a smaller band in terms of sizeshrinking the line-up from five to three -and the mood is a bit darker, which is underlined by the cover: a huge moon on a dark background.
However, Görlich has not thrown away the eclectic approach to the music that was found on In der Ferne and there is also a guest this time. While saxophonist Uli Kempendorff played saxophone on the previous album, Jan Rohrback contributes with toy piano and glockenspiel on two tracks.
The line-up with accordion, guitar and drums, balafon and glockenspiel gives a distinctive sound that is both rhythmically vibrant and rich in texture. Jonas Hauer's accordion adds an element of folk-music and cabaret and Henrik Olsson's guitar is closer to the experiments he has made with his own Penumbra Ensemble. A case in point is that his composition "Klee" from his own record actually turns up here. While there is room for improvisation, Görlich still has a soft spot for a good melody and the improvisations on the album are balanced by a firm sense of melodic structure. There is also a nod to jazz tradition in the shape of a cover version of Thelonious Monk's "'Round Midnight." Indeed, this cover shows the original approach of the group with brushes, spherical guitar and Hauer's accordion. It is a cinematic nocturnal delight and like the rest of the album, it plays with expectations and genre while still being able to paint a fascinating mood.
Tracks and Personnel
In der Ferne
Tracks: Mangel an Licht; Mimi; Lassy; Die Unschärfe; Lawrence; In der Ferne; Happy End; Fratze.
Personnel: Janis Görlich: drums; Otis Sandsjö: tenor saxophones; Federico Lacerna; alto saxophone; Henrik Thor Oscar Olsson: electric and acoustic guitars; Jonas Hauer: organ, electric and acoustic pianos.
Bei Nacht
Tracks: Rage among the monks; Moosbett; Klee; Summender Mönch; Richtet Sich; Det var dans bort i vägen; Round Midnight; Schnee; Backpfeife; Settle down, buy a cow.
Personnel: Jonas Hauer: accordion; Henrik Olsson: electric guitar; Janis Görlich: drums, balafon, glockenspiel; Jan Rohrbach: toy piano, glockenspiel (#1, #8).
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