is one of the new breed of composer / arrangers who write for large ensembles on a grand scale, favoring themes that paint well-drawn pictures and tell evocative stories, most of which are based on personal experiences or particular sights or sounds that have lingered in their mind and led them to put pen to paper (metaphorically speaking, of course, as most musicians these days use computers like the rest of us).
Jensen, a Canadian, has assembled a number of the finest sidemen (and one notable woman) she could find to emblazon her second big-band album, Habitat, which comprises a series of extended and picturesque tone poems in the manner of such contemporaries as Maria Schneider
. Even so, Jensen's vernacular is by and large her own, producing essays that parallel her peers while at the same time exploring fresh and engaging pathways. A second Jensen, sister and trumpeter Ingrid, is very much a part of the enterprise, lending her considerable talents to the section on four numbers and soloing on three: "Treelines," "Intersection" and "Sweet Adelphi," the last with Christine making it a twosome on soprano sax.
Another of Christine's compositions, the stormy ballad "Nishiyuu," was written as a showpiece for tenor saxophonist Chet Doxa who invests it with suitable depth and intensity. "Treelines," commissioned by the University of Nebraska-Lincoln, raises the curtain, its pliable landscape underscoring purposeful statements by Ingrid Jensen
and alto Donny Kennedy. "Tumbledown," which follows, was written by Christine as an homage to Port-au-Prince, Haiti, "Blue Yonder" (the album's briefest track at 7:53) as "a sketch study in Afro-Peruvian festejo rhythm." Tenor Joel Miller
on "Blue Yonder." The lyrical, even-tempered "Sweet Adelphi" is preceded by "Intersection," written to depict a walk along Montreal's most diverse and well-known street, rue St. Laurent. Soloists are Miller, Irwin, Ingrid Jensen (with what sounds like added electronics), bassist Fraser Hollins
If nothing else, Habitat serves unequivocal notice that Christine Jensen is a composer whose remarkable perception and ingenuity should enrich the contemporary big-band scene for many years to come. In other words, this impressive step forward marks the beginning of what could be a long and successful journey.
Track Listing: Treelines; Tumbledown; Blue Yonder; Nishiyuu; Intersection; Sweet Adelphi.
Personnel: Christine Jensen: composer, arranger, conductor, soprano sax (6); Jocelyn Couture: trumpet; Bill Mahar: trumpet; Dave Mossing: trumpet; Aron Doyle: trumpet; Ingrid Jensen: trumpet (1, 3, 5, 6); Donny Kennedy: alto, soprano sax, flute; Erik Hove: alto sax, flute; Joel Miller: tenor sax, clarinet; Chet Doxas: tenor sax, clarinet; Samuel Blais: baritone sax, clarinet; Dave Gossage: native flute (4); David Grott: trombone; Jean-Nicolas Trottier: trombone; Muhammad Abdul Al-Khabyyr: trombone; Bob Ellis: bass trombone (1, 3-5); Jean-Sebastian Vachon: bass trombone (2, 6); Dave Martin: tuba, euphonium (1-4); John Roney: piano; Ken Bibace: electric guitar; Fraser Hollins: bass; Richard Irwin: drums.
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