Home » Jazz Articles » Album Review » Brad Mehldau / Mark Guiliana: Mehliana - Taming the Dragon
Brad Mehldau / Mark Guiliana: Mehliana - Taming the Dragon
ByWith drummer Mark Guiliana mixing funk, trip-hop, pop and jazz beats, Mehldau handles bass and lead lines on synthesizer and electric/acoustic piano, acknowledging the influence of progressive rock's halcyon days when keyboard banks resembling small battleships were the norm. In one sense, Taming The Dragon is a compelling bridge between past and present; in another, it could be the leaner, older brother of Largo (Warner Bros, 2002), Mehldau's first ensemble deviation from straight-ahead jazz towards an experimental, more pop-centric and beat-heavy aesthetic.
The spoken-word title trackover a sci-fi/grungy backdroprelates in allegory the music's driving forcethe embracing of diverse and seemingly conflicting inner elements to produce music that's neither one thing nor the other, but a distilled and celebratory hybrid of many influences. And given the simple set-up, Mehldau and Guiliana cover surprisingly wide stylistic terrain.
Swirling keys and rattling drums on "Luxe" set Mehldau up for a soaring synthesizer flight that evokes keyboardist Rick Wakeman-era Yes , or more specifically White Rock (A&M Records, 1976) Wakeman's dashing Montreal Winter Olympics documentary soundtrack. Whether it's Yes or Rush that springs to mind on the quietly majestic "The Dreamer" and the fast-grooving drum 'n' bass "Just Call Me Nige," or perhaps Pink Floyd in the dreamy synthesizer and electric piano of "Elegy for Amelia E.," the common denominator is the music's somewhat epic character.
It's surely this quality that's also drawn Mehldau into Radiohead's orbit time and again; several tracks, notably "Luxe," the melodically and rhythmically striking "Hungry Ghost" and "You Can't Go Back Now" and the persuasive art-pop of "London Gloaming" all bear the hallmark of the band that's informed Mehldau's music possibly as much as his formative classical and jazz influences.
On the infectious French pop-retro number "Gainsbourg," Mehldau's sunny piano improvisation shares protagonism with samples of Serge Gainsbourg's "Mustang" and "Manon." "Sassyassed Sassafrass" is pure funk, with Mehldau's blues-tinged Rhodes underpinned by Guiliana's light, propulsive rhythms and astutely placed cymbal crashes. The spacious ambiance of "Sleeping Giant" pairs washing synth waves and laid-back groove with gently undulating Rhodes, and will appeal to fans of the Café del Mar chill-out CD series. Though rhythmically dynamic, "Swimming"'s unwavering patterns render it the least interesting track of the recording.
Mehldau's narrator on "The Dreamer" alludes to the elusive music of dreams: "music that made him fly, music that made him escape from his body, music that made him escape from time itself." Once awake, the narrator recognizes that this wondrous music remains "perpetually out of his grasp," but on an engrossing collaboration that burns itself into the consciousness, Mehldau and Guiliana surely come close to grasping it.
Track Listing
Taming the Dragon; Luxe; You Can't Go Back Now; The Dreamer; Elegy for Amelia E.; Sleeping Giant; Hungry Ghost; Gainsbourg; Just Call Me Nige; Sassyassed Sassafrass; Swimming; London Gloaming.
Personnel
Brad Mehldau
pianoMark Guiliana
drumsBrad Mehldau: synths, Fender Rhodes, piano, spoken voice, "Ahh" vocals; Mark Guiliana: drums, electronics.
Album information
Title: Mehliana - Taming The Dragon | Year Released: 2014 | Record Label: Nonesuch Records