Home » Jazz Articles » Album Review » Yakuza: Way Of The Dead

232

Yakuza: Way Of The Dead

By

Sign in to view read count
Yakuza: Way Of The Dead
The modern use of the Japanese word “Yakuza” refers to organized crime or mafia. I’m quite sure the Chicago jazzcore/avant metal/psychedelia band Yakuza is actually referring the ancient usage of the word, which is “the crazy ones.”

Yakuza’s music picks up where Naked City, Faith No More, and Painkiller left off. They make music where speed metal and Sun Ra converge. Think Soundgarden with real musicians or a punk version of Hank Mobley.

The Way Of The Dead opens with a bell and some Tibetan throat singing before the drummer rumbles intro to a saxophone and crunchy guitar thrash. Then you know nothing about this disc can be pigeonholed or categorized.

Yakuza mixes punk and free jazz without allegiance to either community. They take bits and pieces from Eastern Music, and post-rock/jazz bands like Tortoise and Radiohead only to spin them into time-shifting hardcore sounds. Singer Bruce Lamont coughs out lyrics, then picks up his saxophone to duel with Chicago reedsman Ken Vandermark. Just when you think you’ve got them figured out, they lay a 43-minute spaced out groove piece on you.

Yakuza certainly are the crazy ones.

Track Listing

Vergasso; Miami Device; Yama; Signal 2.42; T.M.S.; Chicago Typewriter; Obscurity; 01000011110011.

Personnel

James Staffel

Album information

Title: Way Of The Dead | Year Released: 2003 | Record Label: Century Media


< Previous
DIP

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Central Park’s Mosaics of Reservoir, Lake,...
Wadada Leo Smith / Amina Claudine Myers
Waive
Omawi: Marta Warelis / Onno Govaert / Wilbert De...
Shadow
Lizz Wright

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.