Home » Jazz Articles » Album Review » Jonas Kullhammar/Goran Kajfes/Johan Berthling/Kjell Nord...

425

Jonas Kullhammar/Goran Kajfes/Johan Berthling/Kjell Nordeson: Nacka Forum

By

Sign in to view read count
Jonas Kullhammar/Goran Kajfes/Johan Berthling/Kjell Nordeson: Nacka Forum
While a far cry from recent work by Norah Jones, this recording was nominated for a Swedish Grammy, which sheds some light on the differences between American and Swedish tastes. By now most folks know the sweet pop-inflected jazz style of Jones, but probably most have little knowledge of one of her Swedish counterparts.

Nacka Forum is a moderately raw recording that features a quartet composed of sax, trumpet, bass, and drums. The most distinctive aspect of their group sound is it's "New Thing in Jazz" feel. This disk could have easily been issued on the Impulse! label in 1967. If you dig the raw, untrammelled sonorities introduced to the jazz world by the likes of John Coltrane, Albert Ayler, Ornette Coleman, Sun Ra, Han Bennink, Don Cherry, or Frank Wright, you'll find plenty here to feed your soul. Saxophonist Jonas Kullhammar and trumpeter Goran Kajfes must have a serious free jazz record collection at home, because both of them have assimilated the lexicon of that period in the history of jazz quite thoroughly into their playing.

The rollicking drum style of Kjell Nordeson ignites the opening track, "Sauerkraut Rock." The mood of the entire album is established with this initial salvo. The main theme of this tune is based on an ostinato expertly laid down by bassist Johan Berthling, which becomes the primary compositional device used throughout the bulk of the pieces. The use of the ostinato brings a dancing quality and provides a sense of propulsion to the overall feel of the quartet, but eventually this device wears thin.

The ostinato was used to great effect by Steve Lacy in the late '60s, in large part due to the subtle rhythmic shifts his ensembles built into their music. This quality eludes Nacka Forum — on every piece the rhythm section is thrusting the beat forward relentlessly—fair enough, but ultimately the music becomes monochromatic and formulaic in nature; not only because of the repetition, but also due to the relationship of the horns to the bass and drums. Every piece seems to be a simple vehicle for the horns to blow on—gratifying for the players, but tedious for the listener. Musicians as gifted and intelligent as these fellows are capable of more, and it would be exciting to hear them stretch out into other compositional forms, and to channel their raw power into less comfortable sonic spaces.

All in all, this disk is a mixed bag. It should be of great interest to fans of Coltrane, Ayler, Cherry, or Shepp, but unfortunately limited to that audience due to their reliance to conventional song forms.

Visit Nacka Forum at: www.moserobie.com and to find out more about Swedish Grammy nominees.

Track Listing

Sauerkraut Rock; We Travel The Spaceways; Eleven; Zlatan; Brickjuice; Law Years; Backtalk

Personnel

Kjell Nordeson-drums; Jonas Kullhammar-alto, tenor and bass saxophones; Goran Kajfes-trumpet, flugelhorn and pocket trumpet; Johan Berthling-bass

Album information

Title: Nacka Forum | Year Released: 2003 | Record Label: M.M.P


Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Shadow
Lizz Wright
Horizon Scanners
Jim Baker - Steve Hunt - Jakob Heinemann
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.