Home » Jazz Articles » Album Review » Fra Fra Sound: Kultiplex

126

Fra Fra Sound: Kultiplex

By

Sign in to view read count
Fra Fra Sound: Kultiplex
Afro-Cubism-Afro-Caribbeanism? Crossover, jazz-saturated world music? World music? Almost but not quite mainstream jazz, filtered through a Surinamese aquifer? We've got a small problem here finding a category for Fra Fra Sound's Kultiplex.

The Fra Fra Sound's septet members hail from the Netherlands, Surinam, the Antilles and Venezuela, a Euro-Caribbean mix full of bright colors and churning rhythms influenced by Surinamese kaseko, kawena, and winti, as well as several African styles of sound. Throw in a dollop of American jazz, and you've an upbeat amalgam that sounds simultaneously foreign and familiar, the way the South African Zulu jive – in all its ebullient glory – sounds on an initial encounter.

Fra Fra Sound is primarily an ensemble experience, but there are, throughout, fine solo slots by trumpeter/flugelhornist Michael Simon and tenor sax man Efraim Trujillo. But the focus is sharp on the collective experience, underscored by the always percolating Caribbean percussion flow of danceable, irresistible, infectious rhythms.

And incidentally – though it shouldn't matter – Kultiplex features great cover art, a bright square/rectangle geometry full of odd bright colorations that somehow captures the spirit of the music of Fra Fra sound.

Visit Fra Fra Sound at www.frafrasound.com .

Track Listing

Franca Lucia, Les yeux des Tamashek, Djamu, Family Meetings, Para United, Bidjilo Park View, Nights in Dzaoudzi, Wakandi, Basekounou

Personnel

Andro Biswane, guitar; Robin van Geerke, piano; Vincnet Henar, E-bass, vocals, bandleader; Guno Kramer, drums; Michael Simon, trumpet, flugelhorn; Efraim Trujillo, tenor sax; Carlo Ulrichi Hoop, congas, percussion

Album information

Title: Kultiplex | Year Released: 2003 | Record Label: Pramisi Records


Next >
All That

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.