Various Artists: First Steps

Stan Getz shows some of the smooth control that would lead, some time later, to a national bossa nova craze. On “And the Angels Swing,” he purrs gently with piano trio, running boppish all over the horn. James Moody moves a lot faster on “Moody Speaks,” while Dexter Gordon employs his unmistakable tone on “Blow, Mr. Dexter.” Eddie “Lockjaw” Davis shows his forceful way with a horn on his own composition “Calling Dr. Jazz." Working as a leader, Serge Chaloff struts alongside trumpet, trombone, piano, bass and drums in a roaring bebop affair. Similarly, baritone saxophonist Leo Parker leads a sextet that includes Gene Ammons’ suave, clarion tenor sound and Howard McGhee’s bright roar. Parker adds an adventurous baritone solo to the arrangement.

Harold Land’s interpretation of “I’ll Remember April” flows gently in the lower registers for a welcome treat. Frank Rosolino and J.J. Johnson appear to remind us that the trombone played an important role in the formation of bebop. Rosolino’s “Mean to Me” smokes with an avid passion. His agile technique and clear tone have provided a distinctive role model for several generations. Similarly, Art Pepper’s “Everything Happens to Me,” which serves to close the album, recalls the impact this artist had on several generations of budding bebop artists.

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