Home » Jazz Articles » Extended Analysis » Andrew Hill: Andrew Hill: Mosaic Select 16

400

Andrew Hill: Andrew Hill: Mosaic Select 16

By

Sign in to view read count
Andrew Hill: Andrew Hill: Mosaic Select 16
Andrew Hill
Mosaic Select 16
Mosaic Records
2005

All but six of the 31 tracks on this 3-CD boxed set from Mosaic have never been issued before. Recorded between 1967 and 1970, the mainstream jazz on Andrew Hill's Mosaic Select 16 represents the last remaining unissued sessions from his Blue Note years. All the compositions are Hill's.

Using a sextet, trio and septet format, the pianist creates torrents of improvised sounds that bring his ensembles together with clarity and a cohesive interface. Hill communicates with his audience through a driving rhythmic groove and through the music's myriad impressions. Like a suite of ideas, each piece casts changing moods along the way. Ensemble phrasing and individual soloing combine to layer each piece with spontaneity.

With saxophonists Pat Patrick and Bennie Maupin, trumpeter Charles Tolliver, bassist Ron Carter and drummer Ben Riley, Hill creates seven tracks that whisper the essence of jazz. Nothing can be taken for granted. Each bend in the trail calls for a surprising lift.

With bassist Richard Davis, saxophonists Maupin or Carlos Garnett, drummers Freddie Waits or Mickey Roker and strings, the pianist lays down seven tracks that continue to push the envelope. Dramatic intensity increases, as Hill explores the thrills of communicating openly with the element of surprise at hand. He reaches for the piano's uppermost and bottommost keys, as he swirls the ensemble's emotions around solid themes. As "Soul Mate" romps evenly at a hip tempo with its cool rhythmic stride, the pianist toys with the string section. He draws upon the artists in his ensemble to create a relaxed scene where the audience can feel at home while witnessing refreshingly original material.

With drummer Teddy Robinson and bassist Carter, the pianist creates seven exciting tracks that place more emphasis on his solo artistry. His off-center rhythmic phrases and multi-dimensional chording define the individualistic qualities of his music. Bass and drums lend strong support and climb out eagerly with improvised bouts of passion. Hill's use of organ lends a dramatic flair, while his soprano saxophone outing on "Six at the Top" adds an exotic touch. As he trades fours with Carter, Hill's saxophone sings out in the manner of a snake charmer at the local bazaar.

With trumpeter Woody Shaw, saxophonists Robin Kenyatta, Howard Johnson and Sam Rivers, bassist Herbie Lewis and drummer Robinson, the pianist creates five tracks that stretch boundaries. Kenyatta's hot approach lends a significant twist to "For Blue People Only," while Shaw's "Oriba" solo flows evenly with a beautiful luster. With Johnson on tuba, the piece comes in two versions, each capturing the best part of Mosaic Select 16.

Rivers and Kenyatta help Hill create a powerful storm of emotion that lets his audience absorb and relate. They return for the compilation's final five tracks, along with drummer Robinson, bassist Cecil McBee, and Nadi Qamar at the thumb piano. Somewhat more mellow, the ensemble lounges for a while with graceful postures. Rivers' flute solo on "Awake" and his tenor solo on "Now" provide stirring examples of the heartfelt emotion that goes into his performances. "I" proves cacophonous, while "Yomo" moves sensuously behind a graceful thumb piano introduction designed to evoke natural emotion. The compilation ends with "Prevue," a hawkish monster of free jazz that includes the use of organ to disseminate dramatic forces throughout the ensemble. Cohesiveness breaks down, as the artists each go their own way with emphasis.

These previously unreleased sessions provide an all-encompassing look at the eclectic nature of pianist and composer Andrew Hill.

Track Listing: Disc 1: Without Malice; Ocho Rios; Diddy Wah; Ode to Infinity; The Dance; Satin Lady; Ocho Rios (second version); Monkash; Mahogany.
Disc 2: Illusion; Poinsettia; Fragments; Soul Mate; Illusion (alternate take); Interfusion; Resolution; Chained; MOMA; Nine at the Bottom; Six at the Top; Nine at the Bottom (alternate take).
Disc 3:For Blue People Only; Enamorado; Mother's Tale; Oriba (first version); Oriba (second version); Awake; Now; I; Yomo; Prevue.

Personnel: Andrew Hill- piano, soprano saxophone on "Six at the Top," organ on "Resolution" and "Nine at the Bottom;" Ron Carter, Richard Davis, Herbie Lewis, Cecil McBee- bass; Paul Motian, Ben Riley, Freddie Waits, Mickey Roker, Teddy Robinson- drums; Pat Patrick- flute, alto clarinet, alto saxophone, baritone saxophone; Bennie Maupin- flute, tenor saxophone, bass clarinet; Robin Kenyatta- alto saxophone; Sam Rivers- flute, soprano saxophone, tenor saxophone; Carlos Garnett- tenor saxophone; Howard Johnson- baritone saxophone, tuba; Woody Shaw- trumpet; Charles Tolliver- trumpet, flugelhorn; Nadi Qamar- thumb piano; Sanford Allen- violin; Selwart Clarke, Booker Rowe, Al Brown- viola; Kermit Moore- cello.

Track Listing

CD1: Without Malice; Ocho Rios (first version); Diddy Wah; Ode To Infinity; The Dance; Satin Lady; Ocho Rios (second version); Monkash; Mahogany. CD2: Illusion; Poinsettia; Fragments; Soul Mate; Illusion (alternate take); Interfusion; Resolution; Chained; MOMA; Nine At The Bottom; Six At The Top; Nine At The Bottom (alternate take). CD3: For Blue People Only; Enamorado; Mother's Tale; Oriba (first version); Oriba (second version); Awake; Now; I; Yomo; Prevue.

Personnel

Andrew Hill: piano, soprano saxophone on

Album information

Title: Mosaic Select 16 | Year Released: 2005 | Record Label: Mosaic Records


Next >
Cologne

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

New Start
Tom Kennedy
A Jazz Story
Cuareim Quartet
8 Concepts of Tango
Hakon Skogstad

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.