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Fedchock Brightens Albuquerque Jazz Festival

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Albuquerque held its annual Jazz Festival in February. The format was the same as it has been for the past several years: performances by high school and middle school bands on Thursday and Friday, with a concert Saturday evening (February 17) at the downtown KiMo Theatre featuring the Albuquerque Jazz Orchestra and this year's guest artist, John Fedchock.

Fedchock, a stellar composer/arranger/trombonist who leads his own big band in New York City, graciously stepped in for Andy Martin who was unable to make the gig, and gave an outstanding performance that included several charts from his band's soon-to-be-released fourth CD for Reservoir Records, Up And Running. The AJO opened each half of the concert with three selections, and played as though inspired by Fedchock's presence.

The orchestra's first set included Fedchock's arrangement of "Limehouse Blues, Mike Tomaro's "Tears In Her Eyes (a showcase for trumpeter Bruce Dalby) and Luis Bonfa's theme from Black Orpheus. A highlight of the second set was alto saxophonist Glenn Kostur's enchanting solo on Quincy Jones' "Quintessence, which followed Dave Metzger's "Bang That Wall, Harvey! and preceded Rob Boone's "Caja de Arena. Tenor saxophonist Lee Taylor added a number of impressive solos, complementing those by trombonist Ed Ulman, trumpeter Brad Dubbs and others. Drummer Chase Ellison, a sophomore at the University of New Mexico, made a splendid AJO debut.

Fedchock, who spends a good deal of his solo time in the upper register, opened his first segment with "Up And Running and played two more of his compositions, "Elvin's Empire and "Breakthrough, alongside an arrangement of David Raksin/Johnny Mercer's "Laura that he had written for the Woody Herman orchestra (Fedchock was a member of Herman's last Herd from 1980-87). The second half included two more of his lively compositions, "The Ariztocrat and "Latin Import, sandwiched around Lee Morgan's lovely samba, "Ceora.

Attendance was pretty good (there were some empty seats but not many) and the audience sustained its applause and standing ovation for several minutes, pleading for an encore, but apparently no one had planned for that eventuality. Maybe next year . . .

The SJO Comes to Albuquerque

The Southwest Jazz Orchestra, based in Santa Fe, has landed a semi-regular gig at The Cooperage in Albuquerque, and we were there for opening night on Monday, February 26. The orchestra, led by Jack Manno, is actually a tentet (four saxophones, trumpet, trombone and rhythm) but sounded like a full-fledged big band in the relatively small confines of the nightspot. The SJO opened the first set with Monk's "I Mean You (neatly introduced by pianist John Rangell), glided through Charles Mingus' "Duke Ellington's Sound Of Love, backed Mark Weber as he read his poem, "Warne Marsh (Meets Kenny B), and closed with a pair of original compositions, Michael Anthony's groovy "Steps and Manno's flag-waver, "The Real McCoy. The ensemble was bright and able, and there were splendid solos along the way by Rangell, trumpeter Jan McDonald, trombonist Ed Ulman, tenor saxophonist Bill Wood, baritone saxophonist Arlen Asher, guitarist Tony Cesarano and two or three newcomers whose names I didn't catch. Bassist Rodney Bowe was his usual tower of strength, keeping everyone sharp and in sync.

I left after the first set (it was past my bedtime) but look forward to hearing the SJO again in Albuquerque, as I seem to recall that the band is to appear more often at The Cooperage, perhaps on the last Monday of each month. If that is indeed the case, attendance should pick up as word gets around, even though it was pretty good for a first performance.

The Poston Chronicles

More information has been gleaned about Swing Into Spring, the Ken Poston/L.A. Jazz Institute's big-band spectacular scheduled May 24-27 at the Four Points Sheraton Hotel at LAX. You may still have time to register but shouldn't tarry, as time is growing short and few rooms at the hotel are vacant. There will be twenty-two concerts over a four-day span (no, that's not a misprint) featuring many of the finest ensembles in the Los Angeles area, plus five films and half a dozen panel discussions. Also, pianist Bob Florence is scheduled to perform on Friday afternoon in a duo setting with vocalist Annette Sanders. And there's a special VIP package this year that includes a bus trip to Balboa Beach on Wednesday, May 23, lunch at the Balboa Pavilion and a concert by the Mike Vax Big Band featuring alumni of the Stan Kenton Orchestra.

If that's not enough to entice you, those who'll be leading their bands during the event include Florence, Scott Whitfield, Roger Neumann, Steve Huffsteter, Frank Capp, Ann Patterson, Mike Barone, Carl Saunders, Gordon Goodwin, Gerry Gibbs, Tom Kubis, Don Menza, Gerald Wilson, Buddy Collette and Wayne Bergeron. Also on the program are the Los Angeles Jazz Orchestra, the Collegiate Neophonic Orchestra of Southern California, the Don Ellis Alumni Band, and an all-star ensemble featuring Stan Kenton alumni performing Adventures In Time. How do they do it? As I've said before, don't ask me. I'm only happy they do! For diehard big-band enthusiasts, these are four (or five) days of heaven on earth. See you there! For information, visit www.lajazzinstitute.org

A 'Star' Is Born

Well, not really, but longtime saxophone luminary Bud Shank will soon star in a documentary film, Against The Tide, for Graham Carter's Jazzed Media Records, which previously released the well-received DVD, Phil Woods: A Life In E Flat. Shank's first big-band CD, Taking The Long Way Home, is also on Jazzed Media, as is the forthcoming CD Beyond the Red Door with pianist Bill Mays. Shank, who started his career in the early 1950s with the Charlie Barnet and Stan Kenton orchestras and Howard Rumsey's Lighthouse All-Stars before launching a long and successful studio/freelance career, now lives in Tucson, Arizona, from which home base he continues to tour the world, playing at festivals, clubs and special events. A date for release of the documentary, which is now in production, has not been announced.

Another Big Phat Promotion

Shades of American Idol. Gordon Goodwin's Big Phat Band has launched its own talent search, Big Phat Jam, in which musicians are invited to "swing with the band by uploading and playing along with selected tunes from the ensemble's Grammy-nominated CD, The Phat Pack. There are five sections in the competition—for saxophone, trumpet/trombone, guitar/bass, piano and vocals—with weekly winners in each category (chosen by visitors to the BPB's web site) advancing to the finals. The winners will then be chosen by Goodwin and members of the band and invited to perform on the BPB's next CD / DVD. To enter the talent search, go to www.bigphatjam.com

In Memoriam

Burt Collins, a superb trumpeter who played with big bands led by Woody Herman, Dizzy Gillespie, Neal Hefti, Quincy Jones, Duke Pearson and many others, and was a first-call studio musician in New York City, died February 23 in Philadelphia, one month before his seventy-sixth birthday. RIP, Burt.

And that's it for now. Until next time, keep swingin'!

New and Noteworthy

1. Joe Sullivan Big Band, Stop And Listen (Effendi)
2. Fred Stride Jazz Orchestra, Forward Motion (Cellar Live)
3. Jack Cortner New York Big Band, Fast Track (Jazzed Media)
4. Nova Jazz Orchestra, In A Lucid Moment (NJO)
5. Eric Miyashiro, Times Square (Village Music)
6. Dick Johnson Big Band, Star Dust And Beyond (Crazy Scot Records)
7. George Gruntz Concert Jazz Band, Tiger By The Tail (TCB)
8. Jim Manley, Splendor In The Brass II (Victoria Company)
9. Texas Christian University, Leap Frog (Sea Breeze Vista)
10. Maynard Ferguson, MF Horn VI: Live At Ronnie's (MF Music)
11. Swiss Jazz Orchestra, Live (Mons)
12. University of Northern Iowa, Destination Unknown (Sea Breeze Vista)
13. Håkan Broström, New Places (Phono Suecia)
14. U North Carolina—Greensboro, Vision (no label)
15. Tracy Wells Big Swing Band, Swing Is Here (TW)

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