Home » Jazz Articles » From Far and Wide » Lee Konitz' 80th: Charts Missing? Copy Them On Stage Wh...

381

Lee Konitz' 80th: Charts Missing? Copy Them On Stage While You Spin Jokes

By

Sign in to view read count
MANNHEIM, Germany: Lee Konitz was on stage here for the last stop on his nonet's European tour in mid-October of 2007 when he discovered that he had left his own music charts at the previous stop, in Porto, Portugal.

Panic? Konitz? Not on your life. Especially not at the concert celebrating the pioneer American saxophonist's 80th year of life.

While the lead alto parts were hastily written out on the spot, reports Matthias Spindler in the October 15 Mannheimer Morgen, the usually taciturn leader had a hard time sorting through the sheets on his music stand. Konitz bridged the gaps with some choice jokes.

For example: "The doctor says to his patient, 'I'm sorry to have to tell you that you have two illnesses. One is Alzheimer's.'

'Okay,' says the patient, 'and what's the other?'

'Parkinson's.'

'Well,' says the patient, 'at least it's not Alzheimer's.'

During a reconstructed number, the critic thought he heard some sour notes. Spindler said he was unsure whether these were due to the sidemen's nervousness or hasty manuscript copying by tenor saxophonist Ohad Talmor.

In a blues-based orchestral suite, the players cleared up any doubts about their own abilities. Konitz played the alto sax he had bought in 1945, during his heydays with Lennie Tristano when he built a reputation as a pioneer of the "cool alto style. At the time, most alto saxophonists were trying to imitate the forceful note cascades of their icon, Charlie Parker.

At one point Konitz had the audience hum a note while he played a modal improvisation on it. Another critic, Ulrich Olshausen of Frankfurter Allgemeine Zeitung, called this "the first and only audience participation without any feeling of embarrassment that we can recall.

In his review, Olshausen underscored the American saxophonist's importance as well as that of the whole Tristano circle for postwar jazz in Germany. Konitz lived in Cologne for a period when many American musicians put down roots in Europe.

Considering that Konitz once lived in Germany, celebrated his birthday there, recorded his last two CDs with German pianists, and played dances by Franz Schubert on those recordings, Olshausen wrote, "Konitz and the Germans—there just has to be some deeper connection.

After the final number, the audience treated the bandleader to a rousing round of "Happy birthday, dear Lee.

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.