Bones & Tones: Bones & Tones (2011)
Max Roach's M'Boom might be the closest reference point, but Bones & Tones occupies its own niche in the percussion ensemble pantheon. The majority of the pieces on their debut album are built on ostinato patterns established by one or more instruments, allowing a single melodic voice to sing and improvise on top. While much of the music has strong African underpinnings, a pan-global approach brings a variety of cultures together in certain places. Abdou Mboup's kora playing hints at Asian influences during "Breathing Water," but the instrument returns to its West African origins during "In The Valley Of Dreams." A touch of tropicalia even comes into play on "Carajillo Con Mantilla," which benefits from an infectiously deep groovecourtesy of Mboup and bassist Jaribu Shahid...and some fine solo work from vibraphonist Warren I Smith and Haberon marimba.
While odd metered, trance-inducing patterns of a tribal nature serve as the basic setting for most of this music, Smith's "228" is a notable exception. This composition is a musical montage that works its way through frantic percussive forays, dreamy vibraphone melodies, and a whole lot more during its nearly nine minute lifespan. With a collective resume that touches on everything from Harry Partch, Aretha Franklin, Sam Rivers and Bill Laswell to Don Cherry, Ornette Coleman, Martha Reeves and The Sun Ra Arkestra, it's safe to say that these four musicians have seen it all, and this breadth and depth of experience helps bring new life to the under-explored jazz-world music percussion ensemble format utilized to great effect on Bones & Tones.
Track Listing: Breathing Water; 228; Dance For Suwoo; Configuration; Song For The Old Ones; Carajillo Con Mantilla; MR7; In The Valley Of Dreams.
Personnel: Abdou Mboup: percussion, vocals, kora; Lloyd Haber: marimba, bells, percussion; Jaribu Shahid: bass, percussion; Warren Smith: vibraphone, percussion.
Record Label: Freedom Art