Home » Jazz Articles » Album Review » Nobuki Takamen: Live at the Iridium

255

Nobuki Takamen: Live at the Iridium

By

Sign in to view read count
Track review of "14-1"

Nobuki Takamen: Live at the Iridium
Born in Hiroshima, Japan, guitarist Nobuki Takamen resides in New York City where he remains active in the local jazz scene amid gigs at major out-of-state festivals. Recorded at New York City's Iridium jazz venue, the guitarist steers his quartet through a progression of lyrically resplendent bop and swing works, complemented by interweaving plots and brief nods to non-jazz genres.

Takamen's medium-toned lines, via his semi-hollow body guitar, parallel what is often heard in standard jazz guitar quartets. His penchant for bop is highlighted on "14-1," which is accented by peppery swing vamps, and toggled by an alternating Latin-jazz groove. The quartet injects a touch of funk-rock into the schema, but it's the leader's articulate phrasings and attention-grabbing improvisations that tell the story here.

Pianist Hitoshi Kanda comps and contrasts Takamen, punctuated by the rhythm section's frothy flows. Otherwise, the guitarist's complex chord clusters, spirited intonations, tricky maneuvers and melodic overtones offer a comprehensive picture of his fluency as a consummate jazz musician. Moving forward, Kanda stretches out and reels-in the primary theme towards the finale. With his third solo release, Takamen takes a mountainous leap onto the jazz radar.

Personnel

Nobuki Takamen: guitar, pen; Hitoshi Kanda: piano; John Lenis: bass; Yutaka Uchida: drums.

Album information

Title: Live at the Iridium | Year Released: 2011 | Record Label: Summit Records


< Previous
Waking Dreams

Next >
Transatlantic

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Silent, Listening
Fred Hersch
Riley
Riley Mulherkar
3 Works For Strings
Giusto Chamber Orchestra
My Multiverse
Pearring Sound

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.