Kendrick Scott: Conviction of a Jazz Oracle
Kendrick Scott Oracle presents Conviction (Concord, 2013) as a fully formed and solidified band, rather than just as a studio project combining the sounds of different musicians struggling to find a voice. Joe Sanders on bass, Taylor Eigsti on piano and Fender Rhodes, Mike Moreno on guitar, John Ellis on tenor saxophone and bass clarinet, and Alan Hampton on vocals and guitar all complement the drummer's work. This is a unity undertaking, a single heart beating as one, an ensemble of likeminded artists who know each other very well, and follow the leader's dream of creating a dialogue between the listener and the music.
This album pays tribute to the word of God with gentleness and determination. Very much in the tradition of jazz greats like Julian "Cannonball" Adderley's mystic gospel inspiration, Scott matures as a drummer, as a man and as a human being right before our eyes, laying out a personal pattern of truth so many seek for nowadays, and some never find.
All About Jazz: Why Conviction? Why did you feel the need to make a statement at this particular moment in your life about conviction?
Kendrick Scott: I think I deal with a lifelong challenge that I think has been posed to me, but I decided to deal with it on this record, and what it is is simply the question of who you are versus who you want to be. And I think we all have visions of what we want, and we all set goals, but my thing is who would have known that I was going to be in this moment in time standing here talking to you, 10 years ago? I wouldn't have known that. Maybe I would have dreamed of being somebody else. I was dreaming of being the hottest drummer alive, with the best chops and all of that stuff. And, for me, I feel like God put me in a place and said, "Sit down, fool; that's not what I got in mind," do you know what I mean? That's who you want to be, but who you are is this person.
And the blessing that I have had in my career of being able to play with people and travel and do what I do, doing what I love for a livingI am starting to realize that actually my place in the world is one that only I can have. It's a singular thing, and it is for that thing in me to recognize who I am versus that other thing in me that wants something else from other people, and I don't think that's ever going to go away. I don't think it really ever does. There is more than one reason why I named the record Conviction, but especially I can use it as a constant reminder to add years to that. Every record that someone brings me up to sign or every time somebody talks about the record or I might hear the music or we play the music on stage, it's reminding me of that struggle and about that sound, so I am faced with it, and hopefully I will rise above it every time.
AAJ: Like the pastor said, you are who God says you are and not who other people say you are.
KS: I finally believe that. It is one of those things that it has touched me so much. Another way that it came about is that I was starting to work on the record, and my brother and great friend Derrick Hodge and Ithe producer of the recordstarted talking, and he was saying how in my life and in my playing and the way I carry myself, I was playing with more and more conviction, so I immediately said, "That's it!" That is what it is all about. That conviction comes from the faith of you saying that what I put out as a musician will work, that the art that I create is just a snapshot of me, each time. The drug for the artist, I think, is being able to make many, many more snapshots of yourself and create that body of work that you can be proud of, so there's conviction in each step that you take as an artist. And you have to have that, or else you will never have the courage to take them.
AAJ: Everything is in the giving, and you have been giving. Tell us a little bit about the different convictions you portray on your album. How did you organize all of them in your head: balance, love, peace, equality, freedom, courage, I am, truth, faith, surrender and passion?
KS: The way I started choosing and writing the musicto be completely honest, it all just came together. Each of the convictions, they kind of revealed themselves; it was just right. This is this, and this is this, you know? They all just became so connected and it became so clear, but it was one of those things to seriously step out on faith, because I started off knowing that the record was going to be named Conviction, but the subtitles came later, after the music was created; it was so clear to me that the music reflected those convictions. The songs that I wrote were solidified; they were the first ones to be subtitled. But the coverswe just recorded them, and then I started listening to them along with my originals, and that was how I got to identifying which conviction they represented. Mine were the first to be subtitled.