Home » Jazz Articles » Album Review » Byron Stripling: Striplingnow!

Byron Stripling: Striplingnow!

By C. Michael Bailey
December 1, 1999
Sign in to view read count

A Most Interesting Tone. Count Basie Band trumpeter Byron Stripling has a tone that is a throwback to a bygone era. He has a vocal style that is the same. His trumpet style is an amalgam of Louis Armstrong, Cootie Williams and Roy Eldridge. Dirty yet precise, Stripling’s trumpet blows a blast of fresh air that provides a market foil to the Davis-Marsalis-Roney axis. Stripling’s vocal style recalls Armstrong, a tenor Johnny Hartman, and a Nat Cole, a little out of control. Striplingnow! is his debut release for the newly established Nagel Heyer 2000 series, chiming in right behind Wycliffe Gordon’s very fine Slidin’ Home (Nagel Heyer 2001, reviewed elsewhere in this issue).

The Cats in the Cage. Stripling is joined by university chum Dave Glasser blowing alto and penning three of the discs twelve pieces. Basie alum Frank Wess shows up with his tenor sans flute, providing an effective obbligato accompaniment on “East of the Sun” as well as a honkin’ good solo on “Greasy Livin’.” The rhythm section is rounded out with Bill Charlap on piano, Peter Washington on bass, Dennis Mackrel on drums. As a unit, Stripling’s band plays an updated, turn-or-the-century Modern Jazz. Plenty of Blues, Be Bop, Hard Bop, and Post Bop. The music is very effective and listenable to all ears. Kudos to Randy Sandke and Daniel Nagel-Heyer for a great disc and a great 2000 series.

Track Listing

Greasy Livin

Personnel

Byron Stripling

trumpet

Byron Stripling: Trumpet, Vocals; Dave Glasser: Alto saxophone; Frank Wess: Tenor Saxophone; Bill Charlap: Piano; Peter Washington: Bass; Dennis Mackrel: Drums.

Album information

Title: Striplingnow! | Year Released: 1999

< Previous
Holiday Music '99

Next >
Sun Ra Arkestra Directed by Marshall ...

Comments

About Byron Stripling

Instrument: Trumpet

Tags

For the Love of Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help

To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.