As a partisan of straight–ahead big–band Jazz, I approach cautiously any album encompassing Jim McNeely’s music, as I can never be sure before listening which of the two McNeelys may show up, the laid–back moderate or the wild–eyed extremist. Happily, Sound Bites, recorded with the Stockholm Jazz Orchestra in ’95 and featuring on four tracks McNeely’s amply endowed teammate in the Vanguard Jazz Orchestra, saxophonist Dick Oatts, is about as plainspoken and swinging as a big–band date can be. McNeely’s seven charts (and four compositions), while no less demanding than one usually envisions from him, offer the SJO a picturesque landscape through which to romp, and the orchestra takes every advantage, achieving, in McNeely’s words, a “wondrous combination of precision and looseness” that enlivens every number in this superlative studio / concert recording. Oatts is a high–grade explosive, whether on soprano (“Sound Bites,” “Yesterdays”) or alto (“305,” “The Song Is You”), and the SJO is sharp and responsive throughout. The orchestra boasts some top–drawer improvisers of its own, notably trumpeters Gustavo Bergalli (“Pete’s Feet”) and Peter Asplund (“The Song Is You”), bassist Jan Adefelt (“Pete’s Feet”), tenor Magnus Lindgren and drummer Jukkis Uotila (“Empty House”), trombonist Bertil Strandberg (“305”) and alto Johan Hörlén (showcased on Ellington’s “Sentimental Mood”). McNeely, as splendid a pianist as he is a composer / arranger, solos on “Sound Bites” and “Empty House.” McNeely and the band nestle into a buoyant groove on “Pete’s Feet,” named for the pianist’s son who was learning to walk at the time, and stay there most of the way. An exception is the darker–hued “Sound Bites,” written for Dave Liebman and played wonderfully by Oatts. “Empty House” is packed with swinging commentary by Lindgren, McNeely, Uotila and the ensemble, while “305” honors the Caribbean influences that overspread McNeely’s former neighborhood in Brooklyn, NY. McNeely and the SJO seem to be a near–perfect match, and we hope their alliance leads to more albums as admirable as this one.
Track listing: Pete’s Feet; Sound Bites; Yesterdays; Empty House; 305; In a Sentimental Mood; The Song Is You (68:21).
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.