Home » Jazz Articles » Album Review » Kenso: In the West

162

Kenso: In the West

By

Sign in to view read count
Kenso: In the West
In the West is a live, studio-ready recording from On the West, Tokyo performances of Kenso in Sep 1997. This excellent recording showcases a group that perfectly dances the knife-edge twixt progressive rock and jazz fusion. At times they remind me of Return to Forever and then The Dixie Dregs. Even hints of Happy the Man are detected. Kenso is a well-kept Japanese secret to most fusion fans.

Guitarist Yoshihisa Shimizu handles the fret board like Steve Morse and Stanley Whitaker. I even hear Scandinavia's Finnforest or Spain's Iceberg visceral-fusion, axe attack in Shimizu's phrasings. Expect loads of keyboard interplay and unison lines. Compositions are complex, engaging, twisting, stop-n-go flourishes. A myriad of time-sigs make this weave of sound an astonishingly intricate mosaic of textures. Not one but two keyboardists add to the punch and fullness of Kenso's sound. Kenichi Oguchi and Kenichi Mitsuda are a fine team of synth players. Both Shimizu and Oguchi pen songs with Shimizu creating 12 of the 14 songs. Each song's a beautiful aural experience, transporting the listener through virtuoso jazz fusion and superbly structured, progressive rock — Mahavishnu Ork-ish one moment and Yes-like the next.

Shunji Saegusa is Kenso's memorable bassist and Masayuki Muraishi demolishes the drums like a good fusion/progger percussionist should. I refuse to recommend any track over the next. They each have their own special merit. For high-energy, serious soul-fired tunes that will be a collector's item one day I heartily recommend Japan's Kenso.

Cyberhome: www.musearecords.com or www.mplant.com/kensoenglish.html

Personnel

Kenso
 

Album information

Title: In the West | Year Released: 2000 | Record Label: Musea Parallele


< Previous
Premonition

Comments

Tags


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

New Start
Tom Kennedy
A Jazz Story
Cuareim Quartet
8 Concepts of Tango
Hakon Skogstad

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.