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Ellery Eskelin: Quiet Music (2007)

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Ellery Eskelin: Quiet Music How we rate: our writers tend to review music they like within their preferred genres.

Years on the road and numerous recording for Swiss-based Hatology Records have generated a distinguished musical persona for tenor sax titan Ellery Eskelin and his band. Here, drummer Jim Black and accordionist/sampler Andrea Parkins assist with moving the torch forward. But the addition of vocalist Jessica Constable and French vocalist/keyboardist Philippe Gelda rein in a new stylistic vamp on this two-CD set produced for Eskelin's Prime Source label.

Intact are Parkins' quirky accordion passages and Black's offbeat rhythmic maneuvers. With Eskelin's circuitous and power-packed tenor lines, the band maintains a rolling and tumbling gait chock full of asymmetrically-designed, free form encounters. Yet Constable's wordless vocalizing instills either a sense of harrowing urgency or a sublime sequence of musical events that augment the ensemble's intersecting components. And they inject free improvisation type meltdowns, where the band seamlessly morphs a potpourri of calming effects into a robust group sound, enamored by the artists' acutely-placed dynamics.

On "Split The Difference the musicians render a medium-tempo swing vibe, spiced with a few bump and grind motifs as Parkins' accordion comping provides a rhythmic enhancer for Eskelin's blustery solo. The scenario changes a bit during "La Berceuse d'Angela, featuring Constable and Gelda's operatic vocals that set an archetype for a solemn diversion.

In sum, this recent outing transmits Eskelin's music in a prismatic manner. Not totally unrelated or distanced from previous endeavors, but more of a foray that expounds upon many principles iterated in the recent past. It's a recording that conveys an attractively slanted musical viewpoint amid a bevy of subtle surprises.

Track Listing: Disc One: Coordinated universal time; I should have known; 48 A & B; Read my mind; Instant counterpoint; How do I know; Quiet music; Disc Two: Split the difference; Cuarenta y neueve; The curve; Lets change the subject; Like I say; La Berceuse d'Angela; Tomorrow is a new day.

Personnel: Ellery Eskelin: tenor saxophone; Jessica Constable: voice; Andrea Parkins: piano, organ, accordion, sampler; Philippe Gelda: voice, piano, organ; Jim Black: drums, percussion.

Record Label: Prime Source

Style: Modern Jazz


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